Your name appears on various lists of postmodern literature, among others, in the new edition of Fran Mason’s Historical Dictionary of Postmodernist Literature and Theater. In fact, you are the only Greek author included in a volume spanning more than half a century of postmodernism. In the “Lyacos” entry of the dictionary, your work is classified as late modernist/postmodernist and you are also mentioned in the preface as a postmodernist author ...

Greek poet and playwright Dimitris Lyacos is someone you should know. From one poet about another, here’s why. Just in time for National Poetry Month!

Café poétique organisé par le Centre d'Animations de Lesparre-Médoc. for more info visit this link events365.fr

An interview with Dimitris Lyacos in The Gulf Coast Journal. Winter/Spring 2018, Texas, USA.

C'est un texte polymorphe, qui met en oeuvre tous les signes de l'ultramodernité, ce que l'on appelait autrefois l'avant-garde, pour renforcer sa densité "transgenre" et l'étrange de son propos.

Paludes: A French radio programme on Z213: EXIT, French Edition, January 2018. (Excerpt reading & commentary). Listen here

POETS LIVE, Paris. A reading on the occasion of the second edition of The First Death featuring Dimitris Lyacos and his French translator Michel Volkovitch. 17 December 2017, 19.00, Paris, France.

Une évasion, des trains, des soldats, une Bible annotée, la nuit qui s’étend, l’effort pour se cacher, pour se souvenir, l’homme une errance en forme de cauchemar, cache-cache avec la mort ou peut-être aussi avec Dieu. Z213 : Exit est la première partie d’une trilogie, Poena Damni, ...

Z213: EXCERPTS IN GERMAN/RUMANIAN ANTHOLOGY KLAK VERLAG, BERLIN/TIMISOARA, RUMANIA

Despite being first in the publication history of the Poena Damni trilogy, Dimitris Lyacos's The First Death is the latest installment of the narrative sequence. A booklet found by the protagonist of Z213: EXIT during the course of his voyage, The First Death tells the story of a marooned man on ...

A feature on Dimitris Lyacos trilogy in the Journal of Poetics Research including a wide selection of excerpts and an article by Robert Zaller. October 2017, Sydney, Australia.

No other writer can evoke the blurry, ambiguous feeling of dreaming quite like Lyacos. His work has been described as ‘apocalyptic’ and ‘eschatological’. ‘Purgatorial’ might be nearer the mark. Where else but in a dream does one grapple, over and over again, with one’s own soul in all its grisly glory?

Who is this narrator running from? The law? An invading force? A surveillance state? His own death? God? The same could be said of any of us, because all of us make our own mysteries with our guilt.

One of the most original and significant texts to have come out of Europe in the past generation is Dimitris Lyacos’ poetic trilogy, Poena Damni. I call it ‘poetic’ because there is no word that quite describes a work that moves alternately between poetry, prose, and drama, and that turns each like a prism in a quest for meaning that yields no final stability but only a ‘further horizon of pain’ (The First Death, Section X). A Column of Cloud and a Column-of-Fire: Dimitris Lyacos’ Poena Damni, by Robert Zaller. JPR 07, September 2017. Sydney, Australia

Dimitris Lyacos’ Z213: EXIT is a revelation. A masterpiece. Distinctly postmodern yet entirely unclassifiable, it is everything and nothing all at once. Despite the myriad references to literature, it is entirely new – I have never read anything like it, and this stunning translation is truly head-spinning